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She immediately recognized that she had stumbled onto something extraordinary and began documenting the people around her. Summa captured some of the best known bands to emerge from L.A. while they were still in their infancyX and Black Flag, among othersand bands who went on to achieve legendary status despite the brevity of their existence, including the Germs and the Screamers. Also on view are images of the Bags, the Alleycats, the Cramps, and the Suburban Lawns. Summa captured the many out-of-towners who passed through L.A.s first generation punk community; the Bush Tetras and Lydia Lunch from New York; U.K. punk royalty Joe Strummer and John Lydon; and, two of punks unofficial godfathers, Iggy Pop and William Burroughs. All but four of the photographs in the exhibition are previously unpublished. 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James Daichendt , Foreword by Shepard Fairey. The politically charged art of Robbie Conal is gnarled, gut retching and emotionally laden. Featuring every image in Robbie Conal’s storied poster campaigns, this is the definitive history of “America’s foremost street artist” (Washington Post). A foreword by Shepard Fairey, American contemporary street artist, graphic designer, and activist, sets the scene. Conal’s satirical posters of political figures are given richer context as his life story is insightfully joined with art criticism by expert Daichendt. Today honored by museums and arts organizations around the world, Conal hit high speed during the Reagan administration in 1986 when he began turning his grotesque portraits into street posters. We see Conal’s life come together at a critical moment to attack issues of censorship, war, social injustice, and the environment.\u003c\/p\u003e\n\u003cp\u003e208 pages. 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